I did another sample because I really need the practice. Do you see the amount of draw-in on that thing? Way too much for a weaving that size. And do you see the big error? I don't know how I did not see that as I was weaving. I must have wanted to get this done. Yes, I did some stripes in the middle to use up space. I could feel my frustration level starting to rise and I think I need to move on to another technique and come back to this another time.
My buddy Carroll, the author, gives some tips.
If this is a reversible tapestry, because the methods above create ridges on the back, just forget all this and cross the side wefts around each other.
Sure sounds easier.
If there are an uneven number of warps, you’ll only have to deal with one of the selvedge methods, instead of changing at each selvedge.
That has a certain comfort to it.
The author says she tends to like the second method (when it’s down, go around) because it tends to lay flatter and not curl, but when she does pick-and-pick in the middle of a row, she likes the first method best, because she thinks it’s easier to go around a raised warp in the middle of a row.
There’s always something.
My conclusion: As I worked my second pick-and-pick sampler, I tried to change what I was doing more often. Trying to make a checkerboard type pattern was fairly challenging, figuring out how to introduce the yarn without making a blob of yarn or a hole. My sample is far from perfect. What I did like was carrying an unused weft up the side of the weaving and not having it show until I was ready to introduce it again. That was a nice way to not having to keep starting and stopping after using a color for only three rows.
I can see the possibilities for using this technique, especially the checkerboard type pattern for introducing subtle color and texture in an area.