Now we’re getting into what I would call real tapestry weaving. As “The Tapestry Handbook” says; Unlike wefts that are shuttled from selvedge to selvedge, discontinuous tapestry wefts travel back and forth within the contours of the artist’s images, either touching gently in the spaces between the warps or crossing securely in some manner. These interactions between adjacent tapestry wefts affect not only the structural integrity of the textile but the style of its design interpretation.
There are a number of techniques for creating the “discontinuous wefts” that will make up your design. The first one is called “basic slit technique.” The weft yarns don’t touch each other, but simply go around the ending warp for each color. This does tend to pull the warps away from each other creating spaces between the colors; the two wefts should “kiss” each other before going their opposite directions. If you were to create long vertical slits, these would usually be stitched together on the back side for strength. If the weaving were to hang horizontal in its finished form these slits would form baggy gaps over time without the stitching.
My little weaving has spaces between all the colors. I either pulled the weft too tight around the warp, or because the wide spacing between warps (about 4 epi) is almost impossible to fill the space. I did not create any long slits, but switched color width fairly often. Although not technically correct, I kind of like the little spaces, I could see incorporating these spaces into the design.